主角 42（上部17）?????????????? ?The Protagonist ?????????????? ?—— 陳彥 ?????????????? ?—— Chen Yan

躍龍

多年后，當她成了省城明星憶秦娥時，好多次慰問演出，她都主動要求去監(jiān)獄，給犯人唱戲。尤其是死刑犯。她幾次去唱，都唱得死刑犯淚流滿面的。 Years later, when she became a famous actress in the provincial capital, Yi Qin'e, she frequently volunteered to perform for prisoners, especially death row inmates, during mass performances. Several times, her performances moved the prisoners to tears. 這天晚上，都后半夜了，院子里突然有人耍酒瘋。水池子上的燈泡，被扔了一塊磚頭上去砸了。辦公室的窗戶玻璃也砸了。有人勸說，越勸還砸得越兇，后來連辦公室的門都砸爛了。易青娥聽見，發(fā)酒瘋的是郝大錘。 That night, late into the night, someone suddenly started acting crazy in the courtyard. A brick was thrown at the light bulb above the sink, smashing it. The office window was also broken. People tried to stop him, but the more they tried, the more violently he smashed things, eventually even breaking the office door. Yi Qing'e heard that the person causing the disturbance was Hao Dachui. 　　聽說郝大錘一直跟她舅關(guān)系不卯。她舅壓根兒就瞧不起郝大錘敲鼓那幾下。說充其量就是個業(yè)余水平，連爛竹根都算不上，就是個茅草根、雜刺根。后來她才慢慢知道，郝大錘是跟胡彩香、米蘭她們一班招進團的學(xué)生。他年齡最小，個子也小，先學(xué)演員，后來沒了嗓子，就改行學(xué)敲鼓了。易青娥她舅胡三元，比他們都早來幾年，自然就是郝大錘的師父了。據(jù)說郝大錘演員考試總是最后一名。跟她舅胡三元學(xué)敲鼓，也是三天打魚兩天曬網(wǎng)。他早上懶得起來，晚上整夜在外邊當“街皮”，胡逛蕩，喝爛酒。還動不動就把誰家的狗，用麻袋套了頭，然后幾棍子悶死，下鍋燉著吃了。有時把誰家的貓，他也能剝皮抽筋，烤了下酒的。還有幾次，他在院子里，逮住了活老鼠，就澆上煤油，點著尾巴，讓一團火球尖叫著到處亂跑。直到燒成煳疙瘩。胡三元就罵他說：“你狗日的喪德呢！老鼠好歹也是一條命么，打死不就完了，還能那樣整?！彼藦墓亲永铮蜎]瞧上過郝大錘。說起敲鼓，更是直搖頭。有人說郝大錘再不好，還不是你徒弟。她舅就急忙說：“得得得，少說這話，現(xiàn)在不興說誰是誰的徒弟。即就是興，我也沒這個徒弟，丟不起人?！币驗殛P(guān)系不卯，加上她舅又是那么個瞎瞎脾氣，兩人之間，就自然不免有了各種碰磕。據(jù)說她舅也使暗招，治過郝大錘的。郝大錘也治過她舅。作為下手，郝大錘幾次在高臺上給司鼓擺凳子，就故意把一條椅子腿不朝穩(wěn)當?shù)刂?。她舅一敲起戲來，啥都不管不顧了，激動時，屁股是要跟著戲的節(jié)奏，不停地起伏蹾打的。椅子腿腳穩(wěn)不住，常常就連人帶椅子翻下臺子了。她舅心里明白得跟鏡子一樣，肯定是郝大錘使的壞。因而，也就變本加厲地收拾起他來。說有一次，郝大錘給他打下手，幾聲小鑼都“喂”不上，氣得他用鼓尺子，在郝大錘微張著的嘴上美美敲了一下，郝大錘的一顆門牙，當下就斷了半截。鬧得那場戲都差點沒演完。反正院子里，關(guān)于她舅和郝大錘的故事，幾乎每個人都能講一籮筐。易青娥想，郝大錘今天心里不舒服，是肯定的了。只聽郝大錘一邊砸東西，還一邊在喊叫：“法律是個球，硬得來了，硬得跟牛角一樣。軟得來了，軟得跟老母豬奶一樣?！?lt;/u> 　　It was said that Hao Dachui and her uncle had always had a strained relationship. Her uncle looked down on Hao Dachui's drumming skills, saying they were at best amateurish, not even rotten bamboo roots, just weed roots or thorny roots. Later, she slowly learned that Hao Dachui was a student recruited into the troupe in the same class as Hu Caixiang and Milan. He was the youngest and shortest, and he first studied acting, but after losing his voice, he switched to drumming. Yi Qing'e's uncle, Hu Sanyuan, had arrived a few years earlier than them, so he was naturally Hao Dachui's teacher. It was said that Hao Dachui always came last in the acting exams. His drumming lessons with her uncle Hu Sanyuan were also inconsistent. He was too lazy to get up in the morning and spent the whole night wandering around, drinking heavily. He would often put a sack over someone's head, suffocate them with a few blows, and then stew them. Sometimes he would even skin and gut someone's cat and roast it to eat with his drinks. On several occasions, he would catch live rats in the yard, pour kerosene on them, set their tails on fire, and let them screech and run around in a ball of fire until they were burned to a crisp. Hu Sanyuan would then curse him, "You son of a bitch, what a despicable thing to do! A rat is still a life, you should just kill it, why do you have to do that?" Her uncle had never respected Hao Dachui to the core. When it came to drumming, he would shake his head. Some people said that no matter how bad Hao Dachui was, he was still her apprentice. Her uncle would quickly say, "Alright, alright, don't say that. It's not customary to say who is whose apprentice these days. Even if it were, I don't have such an apprentice, I can't afford to lose face." Because of their strained relationship, and given her uncle's irrational temper, various clashes were inevitable between them. It is said that her uncle also used underhanded tactics to deal with Hao Dachui. Hao Dachui also dealt with her uncle. As his underling, Hao Dachui would deliberately leave one of the chair legs unsupported when setting up the stool for the drummer on the high platform. When her uncle got into the play, he didn't care about anything else. When he got excited, his buttocks would bounce up and down in rhythm with the play. The chair legs would become unstable, and he would often tip over off the stage, chair and all. Her uncle knew perfectly well that Hao Dachui was behind it all. So, he intensified his punishment of him. Once, Hao Dachui was helping him out, but he couldn't get the gong to work properly. Frustrated, he took the drumstick and gave Hao Dachui a good whack on his slightly open mouth, breaking off half of Hao Dachui's front tooth. The whole thing almost didn't finish. Anyway, in the courtyard, almost everyone could tell a whole bunch of stories about her uncle and Hao Dachui. Yi Qing'e thought that Hao Dachui was definitely upset today. She heard Hao Dachui smashing things while shouting, "The law is a ball. When it's hard, it's as hard as a bull's horn. When it's soft, it's as soft as a sow's milk." 　　管他咋鬧，憑他郝大錘，是改變不了她舅的命運了。她突然想，舅今天一直昂著頭，也許就是做給郝大錘這些人看的。他們盼他死，可他偏沒死，并且還活得這樣昂首挺胸的，看不氣死你。 No matter what Hao Dachui did, he couldn't change her uncle's fate. She suddenly thought that her uncle's head-held-high posture all day was perhaps a show for Hao Dachui and his ilk. They wanted him dead, but he wasn't, and he was living so proudly—it was enough to infuriate them. 可命運就是這樣離奇古怪，易青娥剛找到一點精神上的安慰，緊接著，禍事就來了。黃主任開大會動員說，又開始“反對走后門”了。易青娥做夢都沒想到，一夜之間，她竟然成了“反對走后門”的清理對象。 But fate is so unpredictable. Just as Yi Qing'e found a little solace, disaster struck. Director Huang held a meeting to mobilize people, announcing the renewed "opposition to backdoor deals." Yi Qing'e never dreamed that overnight, she would become a target of this "opposition to backdoor deals" purge. 那時，易青娥才剛過十二歲。 At that time, Yi Qing'e was just over twelve years old. 　　陳彥，1963年生于陜西鎮(zhèn)安。一級編劇。中國作家協(xié)會會員。曾創(chuàng)作《遲開的玫瑰》《大樹西遷》《西京故事》等戲劇作品數(shù)十部，三次獲“曹禺戲劇文學(xué)獎”“文華編劇獎”，作品三度入選國家舞臺藝術(shù)精品工程“十大精品劇目”。曾創(chuàng)作32集電視劇《大樹小樹》，獲“飛天獎”。著有長篇小說《西京故事》《裝臺》，其中《裝臺》被中國小說學(xué)會評為“2015小說排行榜”長篇小說榜首，“2015中國好書”，2017年獲首屆“吳承恩長篇小說獎”。出版有《陳彥劇作選》《陳彥詞作選》《陳彥西京三部曲》，散文集《必須抵達》《邊走邊看》《堅挺的表達》《說秦腔》等著作。 Chen Yan was born in Zhen'an, Shaanxi Province in 1963. He is a first-class screenwriter and a member of the China Writers Association. He has created dozens of theatrical works, including *The Late-Blooming Rose*, *The Great Tree Moves West*, and *The Story of Xi'an*, winning the Cao Yu Drama Literature Award and the Wenhua Screenwriting Award three times. His works have been selected three times as one of the "Top Ten Excellent Plays" in the National Stage Art Masterpiece Project. He also wrote the 32-episode TV series *The Great Tree and the Little Tree*, which won the Feitian Award. He is the author of the novels *The Story of Xi'an* and *Zhuangtai*, with *Zhuangtai* being ranked first on the "2015 Novel Ranking" by the China Novel Society and named one of the "2015 China's Best Books." In 2017, he won the inaugural Wu Cheng'en Novel Award. He has published *Selected Plays by Chen Yan*, *Selected Lyrics by Chen Yan*, *Chen Yan's Xi'an Trilogy*, and essay collections such as *Must Arrive*, *Walking and Observing*, *A Resilient Expression*, and *Talking about Qinqiang Opera*.

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主 角 42（上部17）?????????????? ?The Protagonist ?????????????? ?—— 陳 彥 ?????????????? ?—— Chen Yan

躍龍

主角 42（上部17）?????????????? ?The Protagonist ?????????????? ?—— 陳彥 ?????????????? ?—— Chen Yan